Skip to content
Wednesday, October 14, 2026
Explore creative home decor ideas, DIY projects, and interi…

Dance Luminary Matthew Ball on Grueling Roles and Social Media Attention: 'I Don't Feel Precious About My Body'

In the quiet ambiance of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is naturally straight-backed, his limbs muscular beneath a simple white T-shirt. On stage, ballet dancers can appear like powerful deities, yet frequently in person they are small. Not so Ball, whose tall stature is one reason for his popularity for heroic roles and partnering. Possessing fine traits and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Rise to the Pinnacle

Now 31, Ball is experiencing the crest of a career that has progressed seamlessly. Raised in Liverpool, he faced little teasing for his early interest in ballet. Entering the Royal Ballet School at 11, he graduated straight into the troupe and was advanced each year, reaching the highest position of lead dancer in 2018. He has loved tackling meaty dramatic roles, especially the emotional turmoil found in Kenneth MacMillan's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His next featured appearance is as himself, in an "In Conversation" series designed to offer intimate perspectives into a dancer's craft. He will guide the crowd through a role, showing his cognitive workflow while execution. Even in more comedic works, the test is profound. "A classic ballet is one of the toughest technically," he states.

The Psychological Game and Post-Performance Emotions

What about after a show, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get immersed in the character, frequently I do feel self-conscious later. After Mayerling I'm always like: Wow, what must people think?"

In person, Ball is thoughtful, mild-mannered, and quick to laugh at himself. But a choreographer previously observed on a "sense of suffering in him." Is there? "I am very active usually, but I do have a dark side," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an instigator for good change."

Early Drivers and Creative Inspirations

His tenacity stemmed from early experiences. Not doing well in competitions at school made him "driven!" It was fuel to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

The next challenge is creating his own dance works. In his view, "organic movement has value." "Challenging the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from books, compositions, and painting.

Intimate Performance and Private Partnership

He also favors presenting dance in more intimate venues. "It was just really thrilling," he says of a past experience. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a human, and they’re sweating.'"

Ball has made duets with his girlfriend, fellow principal Mayara Magri. The level of trust between them is evident. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." The couple aren’t typically paired on stage at their main theater, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s favorite supporter."

Regarding Instagram and Bodily Image

On Instagram, followers can see clips from his projects and photos that showcase a athletic physique. Does he care that the engagement can be somewhat focused on appearance? Not particularly. "The body is just what we work with, so I don’t feel very precious about it," he states. He relates it to seeing Michelangelo’s David—something that can be interpreted on various levels.

Ball describes his early self as "eager for success." Did it lived up to his hopes? "I am conscious of how life is a different reality to the aspirations you made as a young person," he muses. He likely has about ten years of dancing ahead. "I suppose in the time to come, I want to be a bit more gentle with myself."

LC
By

Lindsay Castro

A passionate interior designer and DIY enthusiast from London, sharing practical home improvement tips and creative decor solutions.

Jack O'Raroom

Type to search articles.